赵树理小说中的乡愁情感解读  

An Interpretation of Homesickness in Zhao Shuli’s Novels

作　　者：廖高会[1] LIAO Gao-hui(School of Humanities,North University of China,Taiyuan 030051,China)

机构地区：[1]中北大学人文社会科学学院,山西太原030051

出　　处：《太原师范学院学报（社会科学版）》2021年第2期34-40,共7页Journal of Taiyuan Normal University:Social Science Edition

基　　金：2018年教育部人文社会科学研究一般项目:“新时期乡土小说中的乡愁叙事研究”(18YJA751019)。

摘　　要：赵树理“农民作家”的称号很大程度上遮蔽了其作为知识分子的内在情感与气质,特别是其小说中的乡愁情感被长期忽略。赵树理早期小说具有浓郁的文人诗性色彩和传统乡愁意识,但后来因启蒙与革命的需要,赵树理有意识地压抑感伤情绪和浪漫情感,转而关注农村现实问题,专注于叙“事”而不以闲笔写情写景,他以通俗取代文雅,以浓郁的“山药蛋”味取代或遮蔽文人的传统乡愁。但其小说中的启蒙意识以及对农村现代化进程的反思、批判与忧患又表现出浓郁的现代乡愁意识。对农村的落后与现代性弊端的双重焦虑在其20世纪60年代小说中表现得更为突出,这种焦虑使其小说表意由以前的明朗转向含蓄,而其现代乡愁也便隐秘地潜存于文本之中。Zhao Shuli’s title of“Farmer Writer”has largely obscured his inner emotions and temperament as an intellectual,especially his nostalgic feelings in his novels have been neglected for a long time.His early novels had a strong poetic color and traditional nostalgic consciousness,but later due to the needs of enlightenment and revolution,he consciously suppressed sentimental and romantic emotions,and turned to focus on rural realities,focusing on narrating events instead of love and scenery.Accordingly,he replaced the elegant style with the popular one,and replaced or obscured the traditional nostalgia of the literati with a strong local flavor.But the enlightenment consciousness in his novels and the reflection,criticism and worries in the process of rural modernization also show a strong modern nostalgic consciousness.Its dual anxiety about the backwardness of the countryside and the drawbacks of modernity is more prominent in the novels of the 1960s.This anxiety made him change his explicit expression into implicit one,and his modern nostalgia also lurked in the text.

关 键 词：赵树理小说 乡愁意识 乡愁形态 物化感知 情绪感伤 双重焦虑 

分 类 号：I206.7[文学—中国文学]