中国建筑1962:从风格到构图及其他  

Chinese Architecture in 1962:From Style to Composition and Others

作　　者：李华[1] LI Hua

机构地区：[1]东南大学建筑学院

出　　处：《时代建筑》2021年第3期20-26,共7页Time + Architecture

基　　金：国家自然科学基金重点项目(52038007);国家社科基金艺术学重大项目(20ZD11)。

摘　　要：文章的主要目的是探讨建筑知识,尤其是建筑设计知识在现代中国的形塑。将20世纪60年代上半叶视为一个承上启下的时期,文章以从建筑风格和建筑艺术性的讨论向建筑构图的转变为切入点,通过辨析其时建筑构图原理构筑的三种视角和观念——实体与静态、空间与感知和景构与动观,考察这一时期在回应20世纪50年代提出的建筑命题和建筑基本问题,克服形式焦虑的过程中,中国建筑学者和建筑师在建筑设计方法、理念等方面所做的探索,并通过与1952年出版于美国的《二十世纪建筑的形式与功能》中序列设计的比较,对中国语境中建筑构图的发展,建筑设计的知识属性与特点,其与历史研究的关系,及对当代的意义等进行再认识和反思。This paper aims to explore the formation of architectural knowledge in modern China,especially the knowledge of architectural design.For doing so,it takes the first half of the 1960s as a transitional period and the topics in architectural discussion turning from architectural style and artistic quality to architectural composition as the entry point.It investigates the efforts that Chinese architectural scholars and architects have made to formulate the ideas and methods of architectural design in response to the issues that were raised in the 1950s with the attempts to overcome the anxiety about architectural form,through discerning 3 viewpoints from which the principles of architectural composition were formulated then.By comparing with the principle of sequence design illustrated by the Forms and Functions of Twentiethcentury Architecture published in America in 1952,it re-examines the development of architectural composition,the attributes and characteristics of architectural design,and its relationship with the historical research of Chinese architecture in the Chinese context,and reflects the meanings in terms of the current situation.

关 键 词：形式 建筑构图 建筑的艺术性 序列设计 二十世纪的形式与功能 

分 类 号：TU-092[建筑科学—建筑理论] TU-8[艺术—艺术设计]