“创作接受”论:中国接受理论的拓展——沈文凡先生《唐诗接受史论稿》读后  

“Creative acceptance”theory:the development of Chinese Reception Theory:After reading SHEN Wenfan’s The Acceptance History of Tang Poetry

作　　者：张盼盼 ZHANG Panpan(College of Literature,Jilin University,Changchun 130012,China)

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《周口师范学院学报》2021年第3期43-46,共4页Journal of Zhoukou Normal University

摘　　要：《唐诗接受史论稿》是沈文凡先生从事唐诗接受史研究的阶段性成果,也是其倡导“创作接受”理念的具体实践。“创作接受”是对西方接受美学的理论拓展,主要体现在文本传播中的差异接受、特殊的批评创作以及创作接受的效果评价三个方面。这不仅丰富了中国的接受理论,亦为整个中国古典文学的接受研究提供了新的视阈。The Acceptance History of Tang Poetry is a phased achievement of Mr.SHEN Wenfan’s research on the history of acceptance of Tang poetry,and it is also a concrete practice of his advocacy of the concept of“creative acceptance”.“Creative reception”is a theoretical expansion of Western reception aesthetics,which is mainly reflected in three respects:difference acceptance in text communication,special critical creation and effect evaluation of creative reception.This not only enriches the reception theory of China,but also provides a new perspective for the reception study of Chinese classical literature.

关 键 词：创作接受 沈文凡 《唐诗接受史论稿》 

分 类 号：I206[文学—中国文学]