2020年世界纪录片发展态势  

Development Situation of World Documentary in 2020

作　　者：喻溟[1] Yu Ming

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2021年第3期117-123,共7页Film Art

基　　金：中国纪录片发展研究报告(2021)课题成果;中央高校基本科研业务费专项资金资助(批准号:2019NTSS33)。

摘　　要：2020年全世界在新冠肺炎疫情中煎熬,电影票房一落千丈,流媒体却获得爆发式增长。传统媒体积极开拓新媒体平台,而新媒体有向传统媒体转回的动作,世界传媒版图呈现出流动性。如今媒体集团正在建立新的生态系统,打破平台阻隔、深度融合,作品的播出也向大中小三种屏幕拓展。从制作策略来看,频道预算向名人参与、塑造品牌的大制作倾斜。从题材来看,疫情是纪录片重要议题,真实罪案题材爆款频出,蓝筹纪录片仍是产业重心,但环保是绕不开的因素。Suffering from the COVID-19 pandemic in 2020, the world witnessed a plummeting box office of films, yet an exponential growth of streaming. In an ever-flowing global media landscape, linear TVs expanded their new-media domain, while new media tended to a reversed path. Media groups were dedicating to a barrier-free, highly-integrated platform, as a crucial part of their ecosystems. On one hand, big productions with celebrities and brandbuilding effect enjoyed larger budgets, as a production strategy;on the other hand, works centering on true crime and blue-chips embraced a booming era when COVID-19 indisputably crowned itself and environmental protection still had its say.

关 键 词：媒体融合 流媒体 疫情纪录片 蓝筹纪录片 罪案纪录片 

分 类 号：J952[艺术—电影电视艺术]