当代语境下中国写意花鸟画构图形式探讨  

Composition of Chinese Freehand Flower-and-bird Painting in Contemporary Context

作　　者：蔡峰[1] CAI Feng(Meizhouwan Vocational Technology College, Putian 351254, Fujian)

机构地区：[1]湄洲湾职业技术学院,福建莆田351254

出　　处：《陇东学院学报》2021年第3期96-101,共6页Journal of Longdong University

摘　　要：绘画作为反映审美的重要内容,画面的构图布局是历代文学工作者所津津乐道的重点内容,我国现代写意花鸟画的构图形式也需要具有一定的时代特点,只有与现代人民群众的审美需求相吻合,才能够让绘画作品更具有生命力。本文就当代写意花鸟画的构图形式进行探讨和研究,希望能够为推动中国画的发展提供一定的帮助和支持。As an important content of aesthetic reflection,the composition and layout of the picture is the key content.The literature workers of past dynasties are fond of talking about,and the composition form of modern freehand flower-and-bird painting in China also needs to have certain characteristics of the times,with modern people’s aesthetic needs in line.It can make the painting more vitality.This paper discusses the composition of the contemporary freehand flower-and-bird painting,hoping to provide support for Chinese painting.

关 键 词：时代背景 花鸟画 构图形式 探讨研究 

分 类 号：J2[艺术—美术]