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作 者:舒凌鸿[1] SHU Ling-hong(Yunnan University,Kunming 650000,China)
机构地区:[1]云南大学叙事学研究中心、文学院,云南昆明650000
出 处:《山东女子学院学报》2021年第4期63-70,共8页Journal of Shandong Women's University
基 金:云南省哲学社会科学规划项目“后经典视域下的中国现代女性小说叙述声音模式研究”(项目编号:YB2018052)。
摘 要:处于新文学发轫期的五四时期的女性作家,常常以反抗封建礼教为其目的,从女性生活视角出发,写出了许多极具影响力的作品。庐隐的《海滨故人》就是其中写作女性生活的代表作品。该小说以少女学生群体为描写对象,形成由不同个性的女性人物组成的一种集体型叙述声音特色。在这些叙述者、人物叙述声音中,呈现了建构女性乌托邦的伦理困境。这主要表现在两个方面:一方面,叙述声音的表达形式单一,虽然强化了女性观点,但又弱化了女性作者对读者的叙述影响力,使文本所建立的性别伦理构想遭到了消解;另一方面,叙述声音反复强调了对未来的悲观情调,直接指向了对传统异性恋社会伦理的屈服,女性同性情谊呈现出模糊性和脆弱性。The female writers emerged during the May Fourth Movement created many highly influential works, which rancked them among fighters against feudal conventions.The Seaside Girls by Lu Yin is a representitive work of this school about women’s life in the early twenties.The novel takes a group of young girls as the object of depiction, their markedly different personalities not only create a communal voice but also present the ethic dilema in their achieving of female utopia.The narrative voice has two characteristics: for one thing, the narrative voice is simple and plain, although it strengthens the girls’ feminist opinion, it also softens the writer’s narrative effect on the readers;for another, pessimistic tone of the future is repeatedly emphasized in the narrative voice, and such a sad tone expressess the submission to the traditional heterosexual society, as well as the ambiguity and vulnerability in the friendship of the girls.
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