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作 者:杨华[1,2,3] YANG Hua(School of Chinese Language and Literature,Xinjiang University,Urumqi,Xinjiang,830046;School of Literature and Arts,Shihezi University,Shihezi,Xinjiang,832000;Xinjiang Literature Research Center,Xinjiang University,Urumqi,Xinjiang,830046)
机构地区:[1]新疆大学中国语言文学学院,新疆乌鲁木齐830046 [2]石河子大学文学艺术学院,新疆石河子832000 [3]新疆文献研究中心,新疆乌鲁木齐8330046
出 处:《新疆大学学报(哲学社会科学版)》2021年第4期81-86,共6页Journal of Xinjiang University(Philosophy and Social Sciences)
基 金:国家社会科学基金重点专项课题(19VXJ021);新疆维吾尔自治区社会科学基金一般项目“从中国共产党人在新疆的革命文学活动看红色文化在新疆的传播与发展(1930—1949)”(19BZW094)。
摘 要:20世纪30年代中后期一批从事文化工作的共产党员自延安进入新疆,对新疆戏剧发展产生重大影响。其中对旧戏的改革和戏曲内容的变革性引导,激发了国人反帝爱国热情,有助于新疆各少数民族在内忧外患的抗战背景下得以消解民族隔阂,建立中华民族统一战线,使新疆成为重要的抗战大后方。共产党人从戏曲内容入手推动统一意识形态的成功经验为今天的新疆文化建设提供了参照,也是当下文化润疆的历史依据和理论根据,其理论意义值得深入研究与参考。In the middle and late 1930s,a group of CPC members engaged in cultural work entered Xinjiang from Yan'an,which produced a great impact on the development of Xinjiang theatre.The reform of traditional operas and their revolutionary contents,in particular,inspired the anti-imperialist and patriotic enthusiasm of the Chinese people,which helped ethnic minorities in Xinjiang to dispel the national estrangement against the background of the War of Resistance against Japan and established the united front of the Chinese nation,making Xinjiang an important rear area in the War.The successful experience of asserting the ideological leadership via the content reform of traditional operas is instructive to today's cultural construction in Xinjiang,and also the historical and theoretical basis for the culturally moistening Xinjiang efforts today.
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