“辟途径于文苑,示楷模于艺林”——论《国朝骈体正宗》及其姚燮、张寿荣评点的骈文批评建树  

Guo Chao Pian Ti Zheng Zong and It's Comments

作　　者：路海洋 LU Hai-yang(School of Chinese Language and Literature,Suzhou University of Science and Technology,Suzhou,Jiangsu,215009)

机构地区：[1]苏州科技大学文学院,江苏苏州215009

出　　处：《新疆大学学报（哲学社会科学版）》2021年第4期94-100,共7页Journal of Xinjiang University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重大项目“明清骈文文献整理与研究”(18ZDA251)。

摘　　要：曾燠编选的《国朝骈体正宗》,是清人所选当代骈文选本中影响十分广泛的一部名作,清代后期学者姚燮、张寿荣曾先后对其进行卓有建树的评点。从《国朝骈体正宗》到《国朝骈体正宗评本》,三代学者累蓄努力,既从“破”的一面鉴别、抉示出历来骈文包括清代骈文所存在的弊症,又从“立”的一面倡扬骈文高格、树立清代骈文经典。就批评建树而言,《国朝骈体正宗》及其评点既为研究者提供了审视清代骈文史的一个独特而有效的视角、一个存瑕的范本,又有力推进了清代骈文作家、作品经典化进程,其是清代骈文批评史发展不容忽视的重要组成部分。Guo Chao Pian Ti Zheng Zong,edited by Zeng Yu,is a famous anthology of parallel prose in the Qing Dynasty,and scholars such as Yao Xie and Zhang Shourong ever made comments on it.Scholars of three generations identified and revealed the malpractices of parallel prose since ancient times,and meanwhile advocated high-grade parallel prose and classics of parallel prose in the Qing Dynasty.In terms of criticism contributions,comments on the anthology provided a unique and effective perspective for researchers to examine the history of parallel prose and also pushed forward the process of canonization of parallel prose writers and writings the in Qing Dynasty.It should be said that it was an important part of the parallel prose criticism history in the Dynasty.

关 键 词：《国朝骈体正宗》 姚燮 张寿荣 评点 骈文批评 

分 类 号：I207.225[文学—中国文学]