大同北魏沙岭7号墓壁画中车舆研究  

On the Chariots in the Murals of Tomb No.7 of Northern Wei Dynasty in Shaling Datong

作　　者：吴娇 WU Jiao(Yungang Research Institute,Datong Shanxi,037007)

机构地区：[1]云冈研究院,山西大同037007

出　　处：《山西大同大学学报（社会科学版）》2021年第3期62-66,共5页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：大同北魏沙岭7号墓壁画题材丰富,对认识北魏早期的社会状况意义重大。本文通过对壁画中车舆结构和细节辨识,分析北魏平城时代早期的车舆制度,由小及大,可知拓跋鲜卑定都平城后的文化建设过程,其以汉晋旧制为摹本,将礼制建设贯穿其中,融合不同文化元素,并有选择地进行利用与改造,最终形成多元一体的独特文化面貌。The murals of tomb No.7 of Northern Wei Dynasty in Shaling Datong are rich in themes,which is of great significance to understand the social conditions in the early Northern Wei Dynasty.Through the identification of the structures and details of the Chariots in murals,the author analyzes the cultural construction and social outlook after Tuoba Xianbei chose Pingcheng as its capital.By selectively using and transforming the old system of Han and Jin Dynasty,introducing the ritual of chariot and clothing and the ritual of drinking ceremony,Tuoba Xianbei formed the unique cultural features of the Northern Wei Dynasty.

关 键 词：北魏 沙岭7号墓 壁画 车舆 

分 类 号：K879.41[历史地理—考古学及博物馆学]