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作 者:唐瑛[1] 高晓玲 Tang Ying;Gao Xiaoling(Xi'an Shiyou University,Xi'an 710065;Hanbin District Education Bureau,Ankang 725000)
机构地区:[1]西安石油大学人文学院,陕西西安710065 [2]安康市汉滨区教育局,陕西安康725000
出 处:《陕西广播电视大学学报》2021年第2期65-68,共4页Journal of Shaanxi Radio & TV University
摘 要:“隐括”作为传统戏曲文学的一个核心创作理念和创作方法,体现了古典戏曲从市井机巧到文人雅趣的创作变化,不仅满足了作家主体的心理与价值取向,而且其善于化腐朽为神奇,也很好践行了传统戏曲“娱乐”与“教化”的文化价值。本文通过梳理“隐括”术语的内涵层次和纵向发展轨迹,特别是在不同时代不同文体语境中的理论效度和价值生命,从作家主体心理创作动机、文本创作效果、践行戏曲传统文化价值三方面论述其在戏曲创作中的作用,把握其在文论史的发展脉搏,获得对其时文学审美趣向及面临具体问题的独特认知视角,更进一步论述其对当下戏曲创作的现实启示,以期响应新时代党的文化政策,弘扬好传统文化。"Yinkuo",as a core creative idea and method of traditional opera literature,reflects the creative changes of classical opera from market cleverness to literati elegance.It not only meets the writer's main psychological and value orientation,but also is good at transforming decadence into magic,and well practices the cultural value of"entertainment"and"Enlightenment"of traditional opera.By combing the connotation level and vertical development track of the term"yinkuo",especially the theoretical validity and value life in different literary contexts of different times,this paper discusses its role in opera creation from three aspects:the writer's main psychological creation motivation,text creation effect,and practicing the traditional cultural value of opera,so as to grasp its development pulse in the history of literary theory and obtain the understanding of the contemporary literature From the unique cognitive perspective of aesthetic interest and facing specific problems,this paper further discusses its practical enlightenment on the current opera creation,in order to respond to the party's cultural policy in the new era and carry forward the traditional culture.
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