新历史主义批评视域下《赎罪》中的文本“真相”与历史“虚构”  

Textual “Truth” and Historical “Fiction” in Atonementfrom the Perspective of New Historicism

作　　者：孙悦 许庆红[1] Sun Yue;Xu Qinghong(School of Foreign Studies,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《洛阳师范学院学报》2021年第6期64-67,共4页Journal of Luoyang Normal University

摘　　要：伊恩·麦克尤恩的《赎罪》关注“大历史”中的“小事件”,即以二战为宏大背景,讲述小人物的悲剧。麦克尤恩在书中通过小女孩布里奥妮的视角来叙述“赎罪”的故事,并由其全程参与事实真相的“编织”,解构了在具体的历史情境下历史与文本之间的界限,模糊了真实与虚构的边界,颠覆了人们对于“历史即真实”的既有认知,进而展现了文本背后隐藏的意识形态和权力话语体系。Atonement by Ian McEwan focuses on the“small events”in the“big history”,that is,it tells the tragedy of the ordinary people in the background of the Second World War.McEwan depicts the story of“atonement”from the perspective of a little girl,Briony,who participates in weaving truth,which deconstructs the boundary between history and fictional text in specific historical situation,blurs the boundary between truth and fiction,and subverts the established cognition of“history is truth”,and thus underlies the ideology and power-discourse system behind the text.

关 键 词：《赎罪》 新历史主义 文本 历史 

分 类 号：I106.4[文学—世界文学]