浅析柏拉图与儒家文艺美学思想的异同  

A Brief Analysis of the Similarities and Differences between Plato and Confucian Literary Aesthetics

作　　者：李云 Li Yun

机构地区：[1]湖南铁路科技职业技术学院,湖南株洲412006

出　　处：《湖南铁路科技职业技术学院学报》2021年第1期90-92,81,共4页Vocational Education Research on Rail Transit

摘　　要：柏拉图作为西方文艺美学的鼻祖,其美学思想是西方文化的一个缩影。同样,孔子作为中国美学的创始人,以其为代表的儒家文艺美学思想代表了中国传统文化的精神内核。本文通过从认识异同、身份异同、价值异同三个方面比较柏拉图与儒家文艺美学思想的异同,总结两者各自的文艺美学观,以期为当下的文艺创作提供借鉴,进一步推动文艺服务社会进步作出更大贡献。As the ancestor of western literary aesthetics,Plato's aesthetic thought is an epitome of Western culture.Similarly.Confucius,as the founder of Chinese aesthetics,represented the spiritual core of Chinese traditional culture with his Confucian literary and artistic aesthetics.This paper compares Plato's and Confucianism's literary and artistic aesthetics from three aspects of understanding similarities and differences,identity and value,and summarizes their respective literary and artistic aesthetics,so as to provide reference for current literary and artistic creation and further promote literary and artistic service to social progress and make greater contribution.

关 键 词：柏拉图 儒家 文艺美学 

分 类 号：I106.999[文学—世界文学]