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作 者:裔传臻 YI Chuanzhen(Shanghai Museum, Shanghai 200003, China)
机构地区:[1]上海博物馆,上海200003
出 处:《文物保护与考古科学》2021年第3期58-64,共7页Sciences of Conservation and Archaeology
摘 要:法币在中国货币史特别是近代货币史上有着重要地位。1935年11月至1948年8月间,先后发行了15种从“壹分”到“壹萬圆”不同面额的法币,由中外十六家不同印刷公司承印,版别多达百余种。本研究利用超景深三维视频显微镜、激光显微共聚焦拉曼光谱仪和便携式X射线荧光光谱仪,对11枚1945年(中华民国三十四年)中央银行发行的壹仟圆法币的印刷颜料进行了无损研究。结果表明,红色部分(印章、冠字号、纹饰等)普遍使用了有机合成染料系列颜料红PR,而蓝色、绿色、棕色部分普遍使用了普鲁士蓝、铅铬黄和炭黑等颜料进行调配呈色。这些信息能够为纸币类文物的鉴别、保护修复以及相关研究提供依据。Legal tender issued by the Central Bank of the Republic of China plays an important role in the history of Chinese currency,especially in the history of modern currency.During a period of fewer than 13 years from November 1935 to August 1948,more than a hundred versions of legal tenders with different denominations and designs were successively issued.They were printed by 16 different Chinese and foreign printing companies.A series of legal tenders issued in 1945 were studied using three-dimensional video microscopy,micro-Raman spectrometry(RS),portable X-ray fluorescence spectrometry(pXRF).The results indicate that organic pigments—C.I.Pigments Red 3,4 and 49:1—were used to print red serial numbers and other red patterns of the legal tender,while prussian blue,lead chromate and carbon black were used to produce most of the blue,green and brown colors.These results provide experimental data for the identification,conservation,restoration and research on paper currency and related civilizations.
关 键 词:法币 视频显微镜 拉曼光谱 X射线荧光光谱 无损分析
分 类 号:K876.9[历史地理—考古学及博物馆学]
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