冲击、回应与整合:管窥十年中国美术学研究  

Impact,Response,and Integration:A Glimpse of the Study of Chinese Fine Arts in the Past Decade

作　　者：郑弌[1] Zheng Yi

机构地区：[1]中央美术学院美术史系

出　　处：《美术》2021年第6期14-21,共8页Art Magazine

摘　　要：进入21世纪后,新出土与刊布的美术史材料的丰厚与方法的多样性,一方面,挑战了既往美术史的认知与结论;另一方面,则要求美术史学研究更新既有的叙述框架。虽然美术史学科各方向发展阶段不一,面临的史料现状、学术史脉络、研究立场与任务亦各有殊途,但其间共同面临的挑战,既来自美术史学科外部的冲击,也来自学科内部自我发展的压力。在21世纪10年代,学界依靠理论模型的更新、博物馆藏品的视觉资源,在延续已有领域和个案研究基础上,继续开拓了若干新的研究路径,如空间美术史、视觉文化、书画及墓葬与宗教美术等。After entering the 21st century,the abundance of newly unearthed and published art history materials and the diversity of methods have challenged the cognition and conclusions of previous art history on the one hand;while on the other hand,it requires the study of art history to update the existing narrative framework.The development stages of various disciplines of art history are different,and the current historical data,academic history,research positions and tasks are also diversified.But when it comes to common challenges,they come from both the external impact of the discipline of art history and the pressure of self-development within the discipline.In the 2010s,relying on the renewal of theoretical models and the visual resources of museum collections,on the basis of continuation of existing fields and case studies,the academic community continued to open up several new research paths,such as space art history,visual culture,calligraphy and paintings,as well as tomb and religious arts.

关 键 词：近现代美术 主题性美术 书画鉴藏 物质文化史 宗教美术 

分 类 号：J209[艺术—美术]