清代康藏的风土讴吟:《巴塘诗钞》述要  

The Customs of Kham Region in the Qing Dynasty:A Review of Batang Poems

作　　者：薛海燕 Xue Haiyan(School of Culture and Tourism,Sichuan Unitersity of Culture and Arts,Mianyang,Sichuan 621000,China)

机构地区：[1]四川文化艺术学院文化旅游学院,四川绵阳621000

出　　处：《西藏研究》2021年第2期44-50,共7页Tibetan Studies

基　　金：四川省社会科学重点研究基地康巴文化研究中心2020年度重点项目“清季打箭炉志书整理与研究”(项目编号:KBYJ2020A004)阶段性成果。

摘　　要：创作于嘉庆十一年(1806)夏的《巴塘诗钞》,是清代诗人李苞的专集,也是清中期咏藏诗词的代表作。诗集可分为两大类,即作者往返蜀地至康藏期间的纪行诗以及在巴塘写作的风土诗。作为历代咏藏诗词中首部以涉藏州县地名为书题且单独刊刻的诗集,280多首内容新颖、风格独特、题材广泛的咏藏诗,从各个角度对康巴地区的山川风貌、民风民俗进行了刻画和描绘,真实地反映了当地藏族人民的生活,歌颂了汉藏人民的友谊。作品重在纪实,具有很高的民俗学价值,为我们今天研究清中期该地区的历史与文化提供了可靠的文献史料。Created in the summer of the eleventh year of the Jiaqing period(1806),Batang Poems is a collection of poems by Li Bao,a poet of the Qing dynasty,and a representative work of poetry on Tibetan chanting in the mid-Qing period.The collection can be divided into two categories,namely,the poems on the author’s travels to and from the region and the poems on the border written in Batang.As the first collection of Tibetan poems with Tibetan names inscribed separately,these 280 poems with new content,unique style and wide range of subjects portray and depict the landscape,customs and traditions of the Kham region from various angles,truly reflecting the life of the Tibetan people and celebrating the friendship between the Han and Tibetan people.The works are documentary in nature and have a high folklore value,providing us with reliable documentary and historical materials for studying the history and culture of Kham region in the mid-Qing period today.

关 键 词：巴塘诗钞 李苞 康藏 咏藏诗 

分 类 号：K852[历史地理—考古学及博物馆学]