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作 者:赵勇[1] 王瑶 Zhao Yong;Wang Yao(School of Medium and Arts,Chongqing University of Posts and Telecommunications,Chongqing 400065;China Film Art Research Center,Beijing 100082)
机构地区:[1]重庆邮电大学传媒艺术学院,重庆400065 [2]中国电影艺术研究中心,北京100082
出 处:《科普创作评论》2021年第1期31-40,共10页Science Writing Review
基 金:重庆市社科规划项目“自媒体视域下的网络文艺批评范式研究”(项目号2017PY28)。
摘 要:谎言并非词不达意,而恰在以言乱意。掌握谎言文本,是衡量人工智能“进阶”的重要指标。科幻电影对机器人“作伪表意”的各种文本叙事,既勾勒出后人类语境下人-机关系的复杂面向,又表达了人类对人工智能“述真”能力的一种紧张关切。本文从人-机互骗的意图性、谎言世界的文本性和“被骗”的主体性选择与接受这三个方面,阐释人工智能如何“分享”人类性价值,融入后人类总体性。Lies are not words that do not mean what they say,but words that do not mean what they say.To master the fraudulent texts is an important index to judge whether artificial intelligence has evolved or not.Science fiction movies have all sorts of narratives about humans and robots deceiving each other,which not only outlines the complex aspect of human-machine relationship in the post-human context,but also expresses a kind of nervous concern about the ability of artificial intelligence to“tell the truth”.This article makes its discussion mainly in three aspects:The intention difference of man-machine deception,the text characteristic of the lie world and the choice and acceptance of the“deceived”subjectivity to explain how artificial intelligence “shares”human values that are integrated into post-human totality.
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