于非闇工笔花鸟画的颜色理论研究  

A Study of the Color Theory of Yu Fei An’s claborate-style painting Flower and Bird Paintings

作　　者：孙玥婷 Sun Yueting(School of Rne Arts,Shanghai University,Shanghai 200000)

机构地区：[1]上海大学美术学院,上海200000

出　　处：《流行色》2021年第4期89-90,共2页Fashion Color

摘　　要：本文从于非闇《中国画颜色研究》一书中分析他颜料的工艺制作到画作的设色方法再到画面色彩的主题倾向.其目的是希望启发我们对当代的工笔花鸟画的颜色发展做进一步的思考与研究.This paper analyses Yu Feiyan’s book’Studies in the Colour of Chinese Paintings’from the craft of his pigments to the way he sets the colours of his paintings to the thematic tendencies of the colours of the pictures.Its aim is to inspire further reflection and research into the development of colour in contemporary brush painting of flowers and birds.

关 键 词：于非闇 花鸟画 色彩理念 

分 类 号：J21[艺术—美术]