吴冠中《荷塘》的写意精神  

The Freehand Spirit of Wu Guanzhong’s"Lotus Pond"

作　　者：邓一冕 Deng Yimian(Shanghai University,Shanghai 200000)

机构地区：[1]上海大学,上海200000

出　　处：《流行色》2021年第4期95-96,共2页Fashion Color

摘　　要：吴冠中是中国油画的民族化的开拓者,是中国二十世纪后期画坛不可替代的人物,吴冠中主张绘画的中西结合与改良,更新传统绘画的各种观念.但万变不离其宗,在其作品画面上占据视觉主导地位的还是中国传统绘画的"写意"精神,本文将围绕其作品《荷塘》为例,分析画面的颜色、构图、手法等,分析评价吴冠中的作品为何能够在当时的环境下独树一帜,并且推动中国传统绘画的改良.Wu Guanzhong is the pioneer of the nationalization of Chinese oil painting and an irreplaceable figure in the late 20 th century.He advocates the integration and improvement of Chinese and Western painting and the renewal of various concepts of traditional painting.This paper will focus on his work lotus pond as an example to analyze the color,composition,technique and so on of the screen,and analyze and evaluate why Wu Guanzhong’s works can be unique in the environment at that time,and promote the improvement of traditional Chinese painting.

关 键 词：吴冠中 《荷塘》 写意精神 

分 类 号：J21[艺术—美术]