清车王府藏乱弹戏中“把”字句类型研究  

A Study on the Type of "Ba" Sentence in Luantan Drama of in the Qing Chewangfu Collection

作　　者：王美雨 Wang Mei-yu(College of Chinese Language and Literature,Linyi University,Linyi Shandong 276005)

机构地区：[1]临沂大学文学院,山东临沂276005

出　　处：《河西学院学报》2021年第3期70-76,共7页Journal of Hexi University

基　　金：国家社科基金“冷门‘绝学’和国别史等研究专项”重点项目“车王府曲本语言研究”(项目编号:2018VJX063)。

摘　　要：乱弹戏是车王府藏戏曲中的主体构成部分,使用了大量的“把”字句,它们中的绝大多数符合“把”字句的普遍性特征,同时又有一些不合常规语法规则仅限于韵文内使用的结构,如大量零谓语“把”字句及其他非动词谓语“把”字句的使用。就语言学史看,乱弹戏处于近代汉语和现代汉语之间的过渡阶段,故此它所含有的“把”字句,对“把”字句发展历史的研究具有重要意义。Luantan Drama is the main part in Che Wangfu opera.It uses a lot of“Ba”sentences.The majority of them conform to the universality of the“Ba”clause,while there are some structures that are not in accordance with the conventional grammatical rules and are restricted to rhyme,such as the use of a large number of zero-predicate“Ba”clauses and other non-verbal predicate“handle”clauses.In terms of the history of linguistics,the Luantan Dra⁃ma is in the transitional stage between modern Chinese and modern Chinese,so the“Ba”clause it contains is of great significance to the study of the history of the development of the“handle”clause.

关 键 词：清车王府 乱弹戏 “把”字句 句式类型 

分 类 号：H314.3[语言文字—英语]