边地书写中的媒介期待与个体自省——论李娟的散文创作  

Media Expectation and Individual Introspection in Frontier Writing:In the Case of Li Juan’s Prose Writing

作　　者：胡新华[1] 张姝雅 HU Xin-hua;ZHANG Shu-ya(College of Literature and Arts,Shihezi University,Shihezi 832003,Xinjiang,China)

机构地区：[1]石河子大学文学艺术学院,新疆石河子832003

出　　处：《石河子大学学报（哲学社会科学版）》2021年第3期110-116,共7页Journal of Shihezi University(Philosophy and Social Sciences)

基　　金：石河子大学高层次人才科研启动项目“改革开放以来文学思潮与新疆文学创作关系研究”(RWSK2018C03)。

摘　　要：李娟的散文创作是新世纪边地书写的重要一翼,在关于走出与返家、流动与稳定、游牧与耕种、乡邻与家人等关系的状写中触及了边地生活的本质,引发了一种关于阿勒泰的文学效应。李娟秉持的“介入”姿态恰好符合近年来散文界倡导的“在场主义”“非虚构写作”等价值取向,也获得了重要媒体的青睐,由此进一步扩大了其文学影响力。在走向外界的同时,李娟也在深沉炽烈地忆述自家过往的生活,以回到自我的情感抒发方式打破了被命名的局限。这使她在描绘边地的大背景中找到了可扎根之处,更好地遵循自我内心进行创作。Li Juan’s prose is an important part of frontier writing in the new century.She touches on the essence of borderland life in her essays about going out and returning home,flow and stability,nomadism and farming,and the relationship between neighbors and family,which has triggered a literary effect about Altay.Li Juan’s attitude of“getting involved”is exactly in line with the value orientation of“presentalism”and“non-fiction writing”advocated by the prose circle in recent years,which has also been favored by important media,thus further expanding her literary influence.While going to the outside world,Li Juan also recalls her past life in a profound way,breaking the limitation of being named by returning to her own emotional expression.This enables her to take root in the background of depicting the bounderland and write works in a better way according to her own heart.

关 键 词：李娟 边地 流动 非虚构 回归 

分 类 号：I207.6[文学—中国文学]