鲁迅与中国浪漫主义诗学理想生成及悖论  

Generation and Paradox of Romanticism Poetic Idealism in Lu Xun,s Works

作　　者：於璐 YU Lu(School of Humanities,Southeast University,Nanjing 210089,China)

机构地区：[1]东南大学人文学院,江苏南京210089

出　　处：《南昌大学学报（人文社会科学版）》2021年第3期81-88,115,共9页Journal of Nanchang University(Humanities and Social Sciences)

基　　金：四川省教育厅人文社会科学项目“郭沫若与中国浪漫主义的发生”(GY2019C10);中央高校基本科研业务费专项资金资助项目(2242021S20004)。

摘　　要：在中国的浪漫主义谱系中,鲁迅的早期思想代表了一个重要的面向:即浪漫主义并不是作为一种文学创作方式进入中国的,而是有着明显的民族国家动机。鲁迅的可贵之处在于,他在后来的写作实践中逐渐发现了浪漫主义诗学思想中的悖论,这使得他超越了同辈甚至后来的很多提倡者。这一悖论影响了鲁迅的创作和人生选择,给他带来了精神上的痛苦。这一诗学构想在政治上是不可行的,但却成就了鲁迅的文学创作,它与早期郭沫若的创作一道开创了新的美学范式——"美伟强力"。鲁迅通过对强生命意志的张扬来构成诗学上的壮美景观,达到新的美学境界,颠覆了过往美学传统,在整个中国现代文学时期乃至当代文学都实属罕见。In the pedigree of Chinese Romanticism,Lu Xun’s early thoughts represent an important aspect:Romanticism did not enter China as a way of literary creation,but had obvious national motivation.Lu Xun’s valuable point is that he gradually found the paradox of romantic poetics in his later writing practice,which made him surpass many of his peers and even later advocates.This paradox affected Lu Xun’s creation and life choice,and brought him spiritual pain.This poetic conception is not feasible politically,but it has made Lu Xun’s literary creation.Together with Guo Moruo’s early creation,it has created a new aesthetic paradigm-"Meiwei Qiangli".Lu Xun,through the publicity of strong will to life,formed a magnificent poetic landscape,reached a new aesthetic realm,subverted the past aesthetic tradition,which is rare in the whole period of modern Chinese literature and even in contemporary literature.

关 键 词：鲁迅 《摩罗诗力说》 美学范式 浪漫主义 

分 类 号：I210.974[文学—中国文学]