论盛可以关于小说的恶魔性思考与实践  

On Demonic Thoughts and Practice in Sheng Keyi’s Novel

作　　者：姜楠 JIANG Nan(College of Culture and Media,Guiyang University,Guiyang 550005,Guizhou,China)

机构地区：[1]贵阳学院文化传媒学院,贵州贵阳550005

出　　处：《贵阳学院学报（社会科学版）》2021年第3期98-102,共5页Journal of Guiyang University:Social Sciences

摘　　要：随着长篇小说《水乳》和《北妹》的出版,20世纪70年代初出生的作家盛可以引起较为广泛的注意,被誉为“当代文坛最值得关注的女作家之一”。一些评论者认为,盛可以的小说《北妹》关注了处于下层地位的打工妹的生活境遇,关注了社会对一些人物边缘身份的建构和“摊派”,关注了远离时髦女性的女性对自己身体的某种理解,从而摆脱了此前一些女性作家对身体的自恋与玩味,把女性身体放置在更为复杂、多元的社会生活中考察女性身体的命运与遭遇。盛可以很自觉地区别了身体的物质性与社会学意义,她关注身体的悖论存在,也关注带有社会色彩的身体的“性属(gender)”,这就让她的小说突破了先前女性作家给女性身体和形象设置的写作陈规。The publication of Shui Ru and Northern Girls has earned a lot of popularity for Sheng Keyi,a woman writer born in the early 1970s and known as“one of the most noteworthy female writers in China’s contemporary literary circle”.Some critics hold that Northern Girls focuses on the living conditions of migrant girl workers of low status,the construction of marginal identities and“allocation”of some people,and the understanding of their own body of women who do not belong to the fashionable group.In this sense,this novel has put women’s body in a more complex and diverse social context to study the fate and suffering of their body,standing away from some previous women writers’narcissism and playful attitude for their body.Sheng has consciously separated the materiality and sociological meaning of the body.She is concerned about the paradox of body as well as its“gender”with social connotation.All this helps to break through the writing stereotype of women’s body and image by previous female writers.

关 键 词：盛可以 小说 突破 陈规 

分 类 号：I207.425[文学—中国文学]