昆德拉小说中的生态美学意蕴--以《生活在别处》和《告别圆舞曲》为例  

Ecological Aesthetic Implications in Kundera’s Novels--Taking Life is Elsewhere and Farewell Waltz as Examples

作　　者：韩娟[1] 赵谦[1] Han Juan;Zhao Qian(Department of Basic Education,Anhui Business College of Vocational Technology,Wuhu Anhui 241002)

机构地区：[1]安徽商贸职业技术学院基础教学部,安徽芜湖241002

出　　处：《安徽商贸职业技术学院学报》2021年第2期61-64,共4页Journal of Anhui Business College

基　　金：安徽商贸职业技术学院科研项目(2020KZR11)。

摘　　要：昆德拉的《生活在别处》《告别圆舞曲》两部作品糅合了不同的美学质素,实践了这位文学巨擘的艺术雄心。人生的错位、人性的恶俗和人格的分裂,包括基于此而产生的怀疑态度和离别情怀,共同促成了小说中精神生态和美学的联姻。以精神生态理论为视角,探讨作品中的荒诞之美、意象之美、悖谬之美,启迪人们关注现实社会的精神失衡问题,凸显了文学艺术干预生活的实践意义,也为小说的后续研究提供新的思路。Kundera’s Life is Elsewhere and Farewell Waltz combine different aesthetic qualities and fulfill the artistic ambition of this literary giant.The dislocation of life,the evil of humanity and the split of personality,together with the skeptical attitude and parting compassion,jointly contribute to the alliance of spiritual ecology and aesthetics in the novel.From the perspective of spiritual ecology theory,the thesisdiscusses the beauty of absurdity,imagery,and paradox in these two works.As a result,it enlightens people to pay attention to spiritual imbalance in the real world,highlights the practical significance of the intervention of literature and art in life,and provides new approaches for the further study of the novels at the same time.

关 键 词：美学意蕴 精神生态 昆德拉 《生活在别处》 《告别圆舞曲》 

分 类 号：I565.074[文学—其他各国文学]