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作 者:杨世真 Yang Shizhen(Xiejin Film&Television Art College of Shanghai Normal University,Shanghai 200234,China)
机构地区:[1]上海师范大学谢晋影视艺术学院,上海200234
出 处:《贵州大学学报(艺术版)》2021年第3期65-71,共7页Journal of Guizhou University Art Edition
基 金:2021年上海文化创意产教融合引领项目(项目编号:沪教委高〔2020〕54号)。
摘 要:对主旋律电视剧《人民的名义》的评论总体上存在重内容轻形式的失衡现象,脱离了形式分析的价值判断极易导致主观随意性。从统计学角度出发,在对该剧的场面类型与场面数量进行量化统计的基础上,将其与《纸牌屋》的场面处理进行比较分析,可以看出该剧在场面处理上的鲜明特色与突出成就主要体现在:从纵向看,超越了我国传统“影戏说”主导下舞台化场面的时空局限;从横向看,超越了平行蒙太奇手法,创造性地拆分一个故事场面为多个播映场次,实现从“纺纱式”单一线性结构向“搓绳式”复合线性结构的跃升,在场景转换频率及镜头剪辑率等节奏指标数据统计分析上,甚至超过同类题材电视剧大片《纸牌屋》;从产业看,超越大制作与注水剧,走出了一条向形式创意要艺术生产力与竞争力、保持艺术性与商业性相平衡的新路子。这种建立在量化统计与文本形式细读细究基础上的影视研究,无疑更具有客观性、说服力与生命力,有助于“中国电影学派”走出去。Comments on the main-stream-value-oriented TV play In the Name of People in general are out of balance in terms of contents rather than forms,which deviates from the value judgment of form analysis and easily leads to subjective arbitrariness.From a statistical point of view,on the basis of quantitative statistics of the types and numbers of scenes in the play,this essay makes a comparative analysis of the scene processing in the TV play and that in House of Cards.It can be seen that the distinctive features and outstanding achievements of the TV play in the scene processing are mainly reflected in the following aspects.Firstly,diachronically speaking,it surpasses the limitations of time and space in stage scenes under the guidance of the traditional theory of“shadow play”.Secondly,synchronically speaking,it goes beyond the parallel montage techniques and creatively splits story scenes into multiple shows,achieving the leap from a single linear structure of“spinning”to a compound one of“twisting ropes”.Concerning rhythm indicators such as,scene conversion frequency and lens editing rate,it statistically even surpasses the same type of TV drama House of Cards.Thirdly,from the perspective of industry,to avoid large-budget and cumbersome TV drama,it finds a new way to maintain the balance between artistic productivity and competitiveness,and that between artistry and commerciality.It is undoubted the study on film&TV with quantitative statistics and text analysis is more objective,persuasive and vital,which is helpful for“Chinese film school”to go out.
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