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作 者:朱天航 ZHU TIANHANG
机构地区:[1]北京服装学院艺术设计学院
出 处:《设计》2021年第13期126-129,共4页Design
摘 要:研究高等院校在非遗时代下对年画传承的行动与举措,论证其在年画创新实践中的重要作用。从位于年画产地的地方高校、综合类大学、顶尖大学以及艺术类院校的角度分别阐释并可视化高等院校牵头下对年画在非遗上的传承,在设计上的创新以及基础理论建设等成果。最终形成一个由院校主导的传统年画传承与创新的图示关系来为其设计创新实践作出指导或参考。由高校牵头与组织的各项针对年画传承与复兴的提倡与举措从理论建设到设计创新、从社会影响到行业发展都产生了积极作用。This paper studies the actions and measures of colleges and universities facing the inheritance of New year Paintings in the non-legacy era,and demonstrates its important role in the innovation practice of New year Paintings.From the perspective of local universities located in the producing areas of New year paintings,comprehensive universities,top universities and art universities,respectively explain and visualize the inheritance of New year paintings in nonheritage,innovation in design and basic theory construction and other achievements led by colleges and universities.Finally,a graphical relationship between inheritance and innovation of traditional New year Paintings led by colleges and universities is formed to provide guidance or reference for the design innovation practice of traditional folk art.Various advocacy and measures for the inheritance and revival of New year Paintings led and organized by colleges and universities have played a positive role from theoretical construction to design innovation,from social impact to the development of the industry.
分 类 号:G64[文化科学—高等教育学]
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