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作 者:陈珏[1] CHEN Jue
出 处:《当代外语研究》2021年第2期44-52,111,112,共11页Contemporary Foreign Language Studies
摘 要:长期以来,中国的文学批评实践以西方文学批评范式为主流话语。这种"拿来主义"是否适用于中国文学的实际,尤其是少数民族文学,值得思考。进入新世纪,学者们开始重新认识少数民族文学在中国文学史上的地位和意义,对"边缘"与"中心"的关系有了新的理解和认知,并提出了一系列关于少数民族文学创作与批评实践的问题和策略。本文尝试跳出西方文学批评的藩篱,运用文化话语研究理论,对中国少数民族文学进行具体的批评实践,借鉴文化话语研究提出的"话语"构成要素,以鄂温克族当代文学为研究对象,对鄂温克族当代文学话语产生的历史语境、内容变迁、话语效果等方面进行研究,重新审视作为"文化话语"的少数民族文学在文化、社会、政治、经济等诸多网络关系中的意义。Western theories of literary criticism have long been employed as the main discourse for Chinese literary criticism.It is worth contemplating whether"borrowed theories"are compatible with Chinese literature in general and ethnic minority literature in particular.In the new millennium,scholars begin to reevaluate the status and significance of ethnic minority literature in China,rethink the relationship between "margin"and"center"and therefore put forward a series of issues and strategies for the creation and criticism of ethnic minority literature.This paper employs cultural discourse studies instead of purely Western literary criticism in the specific critical practice of Chinese ethnic minority literature.Based on the elements of"discourse"in the cultural discourse theory,and with the modern literature of Ewenki ethnicity as the object of study,we analyze the historical context,content change and discourse effect of the contemporary literature of Ewenki ethnicity,and reassess the significance of ethnic minority literature as"cultural discourse"in the cultural,social,political,and economic network.
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