《诗经·王风》审美意象论析——以《黍离》《君子于役》《大车》《丘中有麻》为例  

On Aesthetic Image of Wang Feng in The Book of Poetry——Taking Shuli,Junzi Yuyi,Dache and Qiuzhong Youma as Examples

作　　者：刘挺颂[1] LIU Tingsong(College of Chinese Language and Literature,Zhaoqing University,Zhaoqing,Guangdong 526061,China)

机构地区：[1]肇庆学院文学院,广东肇庆526061

出　　处：《平顶山学院学报》2021年第3期47-52,共6页Journal of Pingdingshan University

基　　金：教育部人文社会科学研究年度规划基金项目“《诗经》与周代礼治研究”(18YJA751029)。

摘　　要：“意象”作为诗歌艺术结构的重要组成部分,在《王风》中具有多样化的呈现,很好地彰显出《王风》的艺术美质和艺术成就,切实地展现了两周时代河洛地域的诗人在现实主义诗歌创作上的水平。《王风》是周代河洛文化的结晶,通过《王风》作品的意象分析,可以深切感受周代河洛诗人群体的艺术素养和文化心态,亦可以从一个侧面深切感受先秦河洛文化的精神内涵。As an important part of the artistic structure of poetry,"image"has diversified presentation in Wang Feng,which shows the artistic beauty and artistic achievement of Wang Feng and shows the creation of realistic poetry of Heluo poets in Western and Eastern Zhou Dynasty.Wang Feng is the crystallization of Heluo culture in Zhou Dynasty.Through the image analysis of Wang Feng,we can deeply feel the artistic accomplishment and cultural mentality of Heluo poets in Zhou Dynasty and the spiritual connotation of pre-Qin Heluo culture.

关 键 词：《诗经·王风》 意象 艺术 河洛文化 

分 类 号：I207.22[文学—中国文学]