伪满洲国时期李乔话剧的创作背景及特点  

The Creation Background and Characteristics of Li Qiao’s Drama in the Manchukuo Period

作　　者：任金凤[1] Ren Jinfeng(School of Literature,Daqing Normal University,Daqing 163712,China)

机构地区：[1]大庆师范学院文学院,黑龙江大庆163712

出　　处：《黑河学院学报》2021年第6期165-167,共3页Journal of Heihe University

摘　　要：东北话剧伴随着“五四”新文化运动的兴起而萌芽,但受日本侵略战争的影响,东北沦陷区话剧作家的创作受殖民者的控制十分严重,这使得东北沦陷区话剧作家的作品带有很强的现实主义特征。作为沦陷区的话剧创作者,李乔的话剧创作既要反映出对异族入侵的愤恨,体现出一个知识分子的风骨,又常常迫于压力,进行附和国策的书写。对李乔话剧作品的现实主义特征进行研究,能够管窥东北沦陷区话剧创作的思想主旨和创作倾向,具有一定的研究价值。With the rise of the“May 4th”New Culture Movement,the northeast drama sprout;however,drama writers’creation in Manchurian occupied area was seriously affected by the colonists due to the influence of the Japanese invasion war,which makes their works tinted with strong realistic characteristics.As a drama writer in the occupied area,Li Qiao reflects his resentment towards the invasion of foreign nations,as well as the character of an intellectual in his drama creation;meanwhile,he often writes by being for the national policy under the pressure.The research on the realistic features of Li Qiao’s drama works can provide a glimpse of the ideological purpose and creative tendency regarding the drama writers in the Manchurian occupied area,which is of certain research value.

关 键 词：东北话剧 李乔话剧 现实主义特征 创作背景 

分 类 号：I206.6[文学—中国文学]