论加缪戏剧的“残酷性”  

“Cruelty” in Camus’s Plays

作　　者：陈娟 刘成富[2] Chen Juan;Liu Chengfu(School of French Studies,Dalian University of Foreign Languages,Liaoning 116044,China;School of Foreign Studies,Nanjing University,Jiangsu 210023,China)

机构地区：[1]大连外国语大学法语学院 [2]南京大学外国语学院

出　　处：《当代外国文学》2021年第2期106-112,共7页Contemporary Foreign Literature

基　　金：教育部人文社会科学研究青年基金项目“加缪原创戏剧研究”(18YJC752002);辽宁省高等学校基本科研项目“加缪原创戏剧伦理思想研究”(2017JYT24)的阶段性成果。

摘　　要：法国作家加缪及其作品一直备受国内外学术界的关注,但大多数研究重点集中在作者的小说和哲学散文上,鲜有戏剧作品的相关研究出现。戏剧作为加缪文学创作的重要组成部分,不仅在文学体系和思想体系中有着不容忽视的地位和作用,而且具有极高的美学价值和思想启示。本文以加缪的戏剧作品为研究对象,深刻揭示加缪戏剧深受法国先锋派戏剧理论家阿尔托的影响。加缪在保留传统戏剧语言风格的同时,进一步拓展了"残酷戏剧"的深度与广度,并使之上升到一个全新的形而上的哲理高度。Despite sustained academic attention on Albert Camus and his works of fiction and philosophy,his dramatic works have been largely neglected.Drama,a significant part of Camus’literary creation,not only plays an important role in his writing career,but also shows high aesthetic value and philosophical significance.Through textual analysis and comparison,this article intends to reveal how Camus’s plays are deeply influenced by the French avant-garde theorist of theatre,Antonin Artaud.While retaining the traditional style of dramatic language,Camus expands the depth and breadth of the theatre of cruelty,and raises it to new metaphysical heights.

关 键 词：加缪 阿尔托 戏剧 “残酷性” 瘟疫 

分 类 号：I565.073[文学—其他各国文学]