祛序与重构:阿尔比戏剧《三个我》中的主体之思  

Deconstruction and Reconfiguration:Albee’s Thoughts on the Subject in Me,Myself&I

作　　者：张雅 Zhang Ya(School of Foreign Studies,Nanjing University,Nanjing 210023,China;School of Foreign Studies,Northwest University,Xi'an 710127,China)

机构地区：[1]南京大学外国语学院 [2]西北大学外国语学院

出　　处：《当代外国文学》2021年第2期159-165,共7页Contemporary Foreign Literature

基　　金：国家社会科学基金重点项目“启蒙文学经典与国家认同研究”(16AWW003);陕西省教育厅专项科研计划项目“阿尔比笔下的‘真实’——爱德华·阿尔比戏剧意识形态研究”(17JK0748)的阶段性成果。

摘　　要：阿尔比封笔之作《三个我》再次聚焦"我是谁"这一重要母题,对主体身份展开祛序与重构的戏剧推演。本文依据福柯哲学中的"异托邦"、"认识型"和"自我关注"三个概念,解读剧中阿尔比对主体身份的拆解、祛序和重构,透视其创作末期对主体存在的哲学伦理思考。通过自我关注和言说重构主体身份,正是本剧中阿尔比主体之思的关键点,与福柯晚期哲学中的主体思想有着一定程度的理论契合。此外,阿尔比也主张从文化他者那里获得主体重塑的转机。Returning to the repeatedly addressed question of"Who am I?",Edward Albee’s last play,Me,Myself&I,stages a theatrical experiment,disassembling and reconfiguring the subjective identity,and embodies the playwright’s philosophical thinking and ethical weighing up of the question.In light of Michel Foucault’s thoughts on"heterotopias","episteme",and"care of the self",this paper demonstrates how Albee disassembles,deconstructs,and reconfigures the concept of subjective existence.Following the playwright’s artistic interrogation and philosophical reflection of the concept,the paper argues that Albee’s deconstruction and reconfiguration of the subject through selfcare and self-enunciation correspond to the philosophical illumination of the subject in the later philosophy of Foucault.

关 键 词：阿尔比 《三个我》 “异托邦” “认识型” “自我关注” 主体重构 

分 类 号：I712.073[文学—其他各国文学]