“再剧场化”与“再总体化”——20世纪早期日本巡演剧团对西方戏剧“再活性化”进程的历史影响  

“Re-Theatricalization” and “Re-Totalization”:The Historical Influence of Japanese Touring Troupes on the “Revitalization” of Western Theatre in the Early 20th Century

作　　者：高洋 Gao Yang(the School of Journalism and Communication,Yangzhou University,Yangzhou 225009,Jiangsu Province,China.)

机构地区：[1]扬州大学新闻与传媒学院,225009

出　　处：《文艺理论研究》2021年第3期86-96,共11页Theoretical Studies in Literature and Art

摘　　要：从19、 20世纪之交到20世纪30年代,先后有三个日本巡演剧团在西方众多国家展开了大范围长时间的公演,其舞台演出在各个层面上所体现出来的"剧场性"与"总体性"特质给西方人留下了深刻的印象。尽管西方人对日本巡演剧团舞台演出的接受不免带有某种"(误)读"的色彩,但是这种"(误)读"无疑具有一种积极的"自我确证性",因为它有力地强化与坚定了富有革新精神的西方戏剧人通过"再剧场化"与"再总体化"的手段来"再活性化"西方戏剧的理想与愿景,并为此提供了可行的路径选择。From the turn of the century to the 1930 s, three Japanese theatre troupes successively toured the West spanning a long period of time and a large geographic area. During their overseas tours, the various "theatrical" and "total" qualities identified in the troupes’ stage performances highly fascinated and impressed the Westerners. Although the Westerners’ reception of the Japanese touring troupes’ performances was inevitably accompanied by some "(mis)interpretations". Nonetheless, these "(mis)interpretations" could be regarded as a kind of positive "self-affirmation", which greatly strengthened and reinforced the ideals and visions of some innovative Western theatre practitioners who had been aspiring to "revitalize" Western theatre by feasible means of "re-theatricalization" and "re-totalization."

关 键 词：再剧场化 再总体化 剧场性 总体戏剧 日本戏剧 

分 类 号：I106.3[文学—世界文学] J805[艺术—戏剧戏曲]