屠格涅夫《猎人笔记》与布宁乡村小说比较  

Comparison of Turgenev’s Hunter’s Notes and Bunin’s Country Novels

作　　者：王立业[1] Wang Liye

机构地区：[1]北京外国语大学俄语学院

出　　处：《中国俄语教学》2021年第2期30-40,共11页Russian in China

摘　　要：布宁与屠格涅夫的文学关系是一个颇具学术意义的命题,它将为我们研究俄罗斯文学19—20世纪之交新现实主义与19世纪传统现实主义的关系提供重要参考。可以认定,屠格涅夫的艺术世界是布宁创作风格的重要源流之一,同时又因现代派影响日渐形成了布宁基于传统而有别于传统的创作个性。本文依据屠格涅夫的《猎人笔记》和布宁的乡村小说,围绕着相似主题的揭示、相近社会情绪的艺术呈现、屠格涅夫笔下"农民"与布宁小说"庄稼汉"的形象塑造、俄罗斯中部平原大自然的诗性描绘等,得出结论,屠格涅夫的《猎人笔记》与布宁的乡村小说不仅有着创作历程与思想内容的近似,也有艺术手法的传承与创新。The literary relationship between I. A. Bunin and I. S. Turgenev is a significant academic proposition, which will provide us with an important reference for studying the relationship between neorealism at the turn of the 19 th and 20 th centuries and traditional realism in the 19 th century in Russian literature. It can be concluded that Turgenev’s art world is one of the important sources of Bunin’s creative style. At the same time, due to the influence of modernism, Bunin’s creative personality, which is based on but different from tradition, has gradually formed. On the basis of Turgenev’s Hunter’s Notes and Bunin’s country novels, this paper centers upon the revelation of similar themes, the artistic presentation of similar social moods, the image molding of the Turgenev’s farmers and Bunin’s ploughmen, the poetic depiction of the nature in Russian central plains, etc. in two writers’ works. The conclusion is that Turgenev’s Hunter’s Notes and Bunin’s country novels not only possess the similar creative process and ideological content, but also have the inheritance and innovation of artistic techniques.

关 键 词：屠格涅夫 《猎人笔记》 布宁 乡村小说 

分 类 号：H35[语言文字—俄语]