商山四皓形象的文化意蕴及其传播  

A Textual Research and Cultural Phenomenon Analysis of Shangshan Sihao

作　　者：王家民[1] 孙浩章[1] 王丰[1] WANG Jia-min;SUN Hao-zhang;WANG Feng(School of Art,Xi'an University of Technology,Xi'an 710048,Shaanxi)

机构地区：[1]西安理工大学艺术学院,陕西西安710048

出　　处：《商洛学院学报》2021年第3期55-59,共5页Journal of Shangluo University

摘　　要：商山四皓是超越历史事件本身的文史人物、文化符号和文化现象,具有儒、释、道多种内涵。他们所代表、所体现的无为而治的群体行为、汉承秦制的连接纽带、仕途遂顺的理想结局、进退有为的仁德典范等多是以诗词歌赋、绘画装饰等文艺方式传播的。历经两千年的演变,商山四皓已成为一种独特的文化符号。Shangshan Sihao is a literary and historical figure,cultural symbol and cultural phenomenon that transcends the historical event itself.It has multiple connotations of Confucianism,Buddhism and Taoism.The ways of acceptance of literature such as poems,songs and painting decoration are always used to transmit Sihao's group behavior of ruling by inaction,the link between the Han Dynasty and the Qin system,the ideal ending of a smooth career,and the model of benevolence and virtue.Shangshan Sihao has eventfully become a unique cultural image among the changes of 2000 years.

关 键 词：商山 四皓 文化意蕴 

分 类 号：I206[文学—中国文学]