科技美术考古学的理论建构  

Theoretical Construction of the Scientific and Technological Archaeology of Fine Arts

作　　者：李杰[1] Li Jie(Supervisor at the School of Arts,Xi’an International Studies University,Xi'an,710128)

机构地区：[1]西安外国语大学艺术学院,陕西西安710128

出　　处：《民族艺术研究》2021年第3期114-123,共10页Ethnic Art Studies

基　　金：陕西省2020年度社会科学基金项目“中国美术考古学的平面风格定性研究”(项目批准号:2020J037)的阶段性研究成果

摘　　要：科技美术考古学是一门多方法交叉学科,是新文科背景下的创新产物,其基本理论源于考古学、艺术学相关理论,并吸纳自然学科领域的方法,其核心艺术本体方法论的价值由于多学科的补充而得以充分彰显。作为一个具有中国特色、中国风格的新兴学科,其理论体系与独立方法论的构建是科技美术考古学学科成立的必需条件。The scientific and technological archaeology of fine arts is an inter-disciplinary subject, as well as a creative product in the background of new liberal arts. Its basic theories originate from archaeology and art studies and it also adopts methodologies from natural sciences. The value of the key ontological methodology of arts is manifested when it is supplemented by various subjects. As a new subject with Chinese characteristics and Chinese style, the construction of the theoretical system and independent methodology is a pre-condition of the subject of the archaeology of science and technology fine arts.

关 键 词：美术考古 艺术本体 交叉学科 理论建构 

分 类 号：K879[历史地理—考古学及博物馆学]