东北鲁艺时期舞蹈家及舞蹈艺术活动的历史价值  

The Historical Value of the Dancers and Dance Activities during LuXun School of the Arts in Northeast China

作　　者：胡博[1] HU Bo(School of Drama Art,Shenyang Normal University,Shenyang 110034,China)

机构地区：[1]沈阳师范大学戏剧艺术学院,沈阳110034

出　　处：《北京舞蹈学院学报》2021年第2期10-16,共7页Journal of Beijing Dance Academy

摘　　要：1942年的《在延安文艺座谈会上的讲话》宣布了文艺旧时代的终结,文艺生产方式和文艺风貌彻底转变。"中国化""民族化""大众化"的文艺理论突显"人民性"现实主义创作的需求,一种前所未有的文艺新时代即将到来。在新旧交替的特殊历史时期,代表着中国共产党领导的新民主主义文艺发展方向的延安鲁艺师生,身负建设新中国文艺事业的重任,由延安来到东北解放区,将延安鲁艺精神延续到东北艺术人才培养的过程中。在东北鲁艺时期,以吴晓邦为代表的鲁艺舞蹈艺术家们通过舞蹈创作与教学实践,积极探索新中国舞蹈的新样式,不仅奠定了东北地区舞蹈事业发展的基础,更为开启新中国舞蹈艺术发展的新篇章做好了准备。The"Speech"in 1942 announced the end of the old era of literature and art,and the radical transformation of its creation mode and style. The theories of literature and art on "sinicization","nationalization"and "popularization"highlighted the demand for"people-oriented"realist creation,and an unprecedented new era of literary and artistic creation is about to come. At the historical juncture of replacing the old by the new,teachers and students from Luxun School of the Arts in Yan’an,who represented the future development of the new democratic literature and art under the leadership of the Communist Party of China,shouldered the responsibility of establishing the literary and artistic cause for the People’s Republic of China. Coming from Yan’an to the northeast liberated area,they carried forward the school spirit of Yan’an in the process of talent cultivation. During their stay in northeast China,dance artists from Luxun School of the Arts represented by Wu Xiaobang took initiative to explore new styles of new China dance through dance creation and teaching practice,which not only laid the foundation for the dance development in northeast China,but also opened a new chapter for the dance development in"new China".

关 键 词：东北鲁艺 吴晓邦 “新秧歌” “新舞蹈” 

分 类 号：J792.9[艺术—舞蹈]