吉姆·兹瓦德罗的绘画《行人》的主题意蕴  

An Interpretation of the Connotation of the Theme of Pedestrians Created by Jim Zwadlo

作　　者：朱丽 ZHU Li(The Center for Literary Theory and Aesthetics,Shandong University,Jinan City 250100)

机构地区：[1]山东大学文艺美学研究中心,山东济南250100

出　　处：《阴山学刊》2021年第3期31-35,86,共6页Yinshan Academic Journal

摘　　要：美国现代画家吉姆·兹瓦德罗,创作《行人》(Pedestrians)系列画作,用巧妙的鸟瞰视角和摄影的二次创作,造就了独到的都市景观效果。在主题上,着眼于鸟瞰的视角,逼真的人物,抽象的都市空间,街道上行走这四个元素,将行人的运动表现成“发现的舞蹈”,对都市景观垂直性进行创造性的“地图化”平展压缩处理,在光影交织的抽象空间里,捕捉都市生活的逼真瞬间。画家用绘画的笔触,阐释着对都市人生的“平衡-失衡”状态的深沉反思。The paintings created by the modern artist Jim Zwadlo,which are called Pedestrians,lead to a unique urban landscape from an aerial view and the secondary creation of photography.The theme focus on four aspects:an Aerial View,lively figures,the abstract urban space and walking in the street.In these paintings,walking becomes“found choreography”.The verticality of the urban landscape is created by the"Mapization",which means being flattened and compressed.In the abstract space of the light and shadows,the camera records the urban life by the stop-motion shutter speeds.The paintings illustrate the artist’s introspection on the condition of“balance-imbalance”in the urban life.

关 键 词：鸟瞰 行人 主题意蕴 都市景观 视角 鸽子视点 都市漫游者 

分 类 号：J201[艺术—美术]