冯梦龙尚真适俗的民歌观--以《挂枝儿》《山歌》为例  

Feng Menglong's Folk-song Perspective on Pursue of the Truth and Secularity:Take the Gua-Zhi-er and Folk Songs as the Examples

作　　者：郭超 GUO Chao(School of Design and Creativity,Fujian Jiangxia University,Fuzhou,350108,China)

机构地区：[1]福建江夏学院设计与创意学院,福建福州350108

出　　处：《福建江夏学院学报》2021年第3期34-40,共7页Journal of Fujian Jiangxia University

基　　金：福建江夏学院科研人才培育项目“阳明心学视角下的明代民歌研究”(JXS2020015)。

摘　　要：冯梦龙在心学理论启蒙孕育下,构建其情教思想体系及文学观念,他所辑录的民歌专辑《挂枝儿》《山歌》,以人性为基础,还原民歌之文体地位;以“从俗谈”为原则,“借男女之真情,发名教之伪药”;以情真为艺术核心,崇尚自然、抑止雕琢;以传播民歌为手段,施行教化、匡扶良俗,内蕴冯梦龙以情系理、理从情出情教思想的民歌观。Enlightened by mental outlook theory,Feng Menglong has constructed the ideological system on education based on emotion and literary conception of his own.Gua-Zhi-er and Folk Songs,the folk-song albums compiled by him,are based on human nature and recover the stylistic status of folk songs;They regard"To put everything simply"as their basic principle and use actual affection in the world to expose canting moralist's true colors;They choose people's true feelings as the core of its art,be faithful to the original and be opposed to the folk songs adaption;They have their means in exporting folk songs to civilize people and build their good morals.In a word,the albums have huge reserves of Feng Menglong's ideological essence.That is,try to state profound truth by showing human emotions.

关 键 词：冯梦龙研究 民歌观 《挂枝儿》 《山歌》 

分 类 号：I207.41[文学—中国文学]