从“读者”到“人民”:新媒体文学的“人民性”发展方向  

From“Readers”to“People”:the“People-oriented”Development Direction of New Media Literature

作　　者：刘相美 林沙欧[2] LIU Xiang-mei;LIN Sha-ou(School of Liberal Arts,Hebei University,Baoding 071002,China;School of Liberal Arts and Law of Hebei Normal University of Science and Technology,Qinhuangdao 066004,China)

机构地区：[1]河北大学文学院,河北保定071002 [2]河北科技师范学院文法学院,河北秦皇岛066004

出　　处：《河北学刊》2021年第4期139-144,共6页Hebei Academic Journal

摘　　要：新媒体文学是读者全方位参与文学生产的一种文学形态,新媒体文学场域的“读者创作”接续了原初文学以人民为创作主体的集体再创作传统。从新媒体时代读者的阅读特点出发,新媒体文学形成了适应人民群众“期待视野”的审美特征。新媒体文学的“读者性”联系着“人民性”,但“读者性”不同于“人民性”,新媒体文学以“读者为中心”的价值导向带来其文学品质的下降,新媒体文学必须以“人民性”的价值来引领其发展,促使其“读者性”特征向“人民性”方向升华,从“读者”的文学走向“人民”的文学。New media literature is a literary form in which readers participate in literary production in an all-round way.The“reader creation”in the field of new media literature continues the collective re-creation tradition in which the original literature takes the people as the main body of creation.The“Readership”of new media literature is related to“People”,but“Readership”is different from“People”.The value orientation of“reader-centered”in new media literature has brought about the decline of its literary quality.New media literature must lead its development with the value of“People”,promote its“Readership”to sublimate to“People”,and move from“readers’literature”to“people’s literature”.

关 键 词：新媒体文学 读者性 人民性 

分 类 号：I206.7[文学—中国文学]