正考父校《商颂》与商宋文化的再度传播  

Zhengkaofu’Saltered Shangsong and the Re-dissemination of Shang-Song Culture

作　　者：李古月 LI Guyue(Institute of Literature History and Philosophy,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学儒学高等研究院,济南250100

出　　处：《四川职业技术学院学报》2021年第3期132-136,168,共6页Journal of Sichuan Vocational and Technical College

摘　　要：西周时期以宋为代表的殷商遗民政治上不被周王朝信任,商宋文化难以传播。随着周王朝自身实力的衰落,东迁的周王室需要宋国为代表的殷商遗民对统治的支持,而宋国统治者也想摆脱尴尬的政治与文化境地。正考父献商颂、校改商颂的主动行为,表达出参与周王朝礼乐文化体系的愿望,进而希望能提高宋国的政治地位。这一行为使得商宋文化在东周得到了传播,在鲁国体现得尤为明显。In the Western Zhou Dynasty,the descendants of the Shang Dynasty,represented by the Song Dynasty,were not trusted by the Zhou Dynasty in politics,and the Shang-Song culture was difficult to spread.With the decline of the Zhou Dynasty itself,the eastward Zhou royal family needed the support of the Yin Shang descendants represented by the Song,and the Song rulers also wanted to get out of the embarrassing political and cultural situation.The active behavior of presenting Shang Song to the father and revising Shang Song expressed the desire to participate in the ritual and music culture system of the Zhou Dynasty,and then hoped to improve the political status of the Song.This behavior made the Shang-Song culture spread in the Eastern Zhou Dynasty,especially in the State of Lu.

关 键 词：《商颂》 商文化 文化传播 

分 类 号：G256[文化科学—图书馆学]