现象学视域下当代小说的恶魔性研究——以贾平凹《山本》为例  

Research on the demonism of contemporary novels from the perspective of phenomenology--Taking Jia Pingwa's ShanBen as an example

作　　者：杨雷 YANG Lei(College of Humanities,Zhejiang Normal University,Zhejiang,Jinhua 321004,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《井冈山大学学报（社会科学版）》2021年第2期99-106,共8页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社会科学基金重大项目“语言变革与中国现当代文学发展”(项目编号:16ZDA190)。

摘　　要：恶魔性在世界文学发展中已逐渐演变为一种主题存在,指从人物的民间信仰、创造力与破坏性、神性与人性结合等方面展现人性发展及所处社会历史转型的现代特征。贾平凹《山本》的恶魔性表现以巫性形式的内化、创造性与毁灭性并存以及恶魔性补偿叙事展开,并通过社会转型、民间意识和主体原欲三方面构成恶魔性激发的要素。作为具有普遍性的世界文学审美元素,恶魔性在中国本土实践发展,对文学空间的拓殖和中西文学的诗学比较具有重要意义。In the development of world literature,demonism has gradually evolved into a theme existence,which shows the modern characteristics of the development of human nature and the social and historical transformation from the aspects of folk beliefs,creativity and destructiveness,the combination of divinity and humanity,etc.The demonization of jia pingwa's ShanBen is presented by internalization of the form of witchcraft,coexistence of creativity and destruction,as well as demonization compensation narrative,and the elements of demonization are formed by social transformation,folk consciousness and subject's original desire.As a universal aesthetic element of world literature,the development of demonism in China is of great significance to the settlement of literary space and the comparison of poetics between Chinese and Western literature.

关 键 词：《山本》 恶魔性 主题存在 社会转型 民间意识 主体原欲 

分 类 号：I206.7[文学—中国文学]