中国当代艺术的“艺术异化”现象分析--以徐冰《凤凰》为例  

An Analysis of the“Artistic Dissimilation”in Chinese Contemporary Art:A Case Study of Xu Bing's Phoenix

作　　者：苏典娜 姚珊珊 孙峥 Su Dianna;Yao Shanshan;Sun Zheng

机构地区：[1]北京师范大学艺术与传媒学院 [2]中央美术学院

出　　处：《上海文化》2021年第6期51-62,共12页Shanghai Culture

摘　　要：随着中国当代艺术与国际市场接轨带来的变化,艺术与资本的博弈日渐成为人们讨论的热门话题,国内也涌现了"中国当代艺术已被异化"的质疑。本文试图通过对徐冰的装置作品《凤凰》这一创作实例与资本之间发生的故事进行追踪采访和观察分析,进而反思中国当代艺术家面对资本时出现的"异化"问题,希望借此能为人们对资本介入艺术的批判提供新的视角。With changes of the relationship between Chinese contemporary arts and international market,the game of arts and capital is becoming a hot issue.However,there is also a doubt that Chinese contemporary arts have become a kind of dissimilation.In this paper,we are trying to exam what has happened to the relationship between the work Phoenix by Xu Bing and capital with interviews and observation,in an effort to reflect on how dissimilation occurs when Chinese contemporary artists encounter the problem of capital,and to provide a new perspective on the criticism of how capital get involved into contemporary arts.

关 键 词：当代艺术 异化理论 艺术异化 徐冰 《凤凰》 

分 类 号：J5[艺术—艺术设计]