先锋派文学的二律背反与审美共同体建构:以《尤利西斯》为例  

The Antinomy and Community with a Shared Aesthetic Interest in Ulysses

作　　者：陈豪 Chen Hao

机构地区：[1]上海对外经贸大学

出　　处：《英美文学研究论丛》2021年第1期247-258,共12页English and American Literary Studies

基　　金：2019年国家社科基金重大项目“英国文学的命运共同体表征与审美研究”(19ZDA293)的阶段性研究成果。

摘　　要：先锋派文学界定困难是因为它本身是一个矛盾综合体。基于此判断,本文提出三组二律背反,目的在于厘清它的一些根本属性。通过对小说《尤利西斯》的解读,本文还发现每组二律背反存在着与之对应的审美共同体。这些共同体揭示出文学史上不同流派、不同风格往往在审美旨趣上的殊途同归。它们的兴衰左右着先锋派文学的走向,折射出现代性危机下文学与时代的互动关系。The difficulty in defining avant-garde literature is that it is a complex of contradictions in its own right.Based on this judgment,this paper proposes three sets of antinomies in order to make clear some fundamental properties of it.Through the interpretation of Joyce's Ulysses^the paper also finds that each set of antinomies affiliates itself with a community with a shared aesthetic interest.These communities show that different schools and styles in the history of literature often boil down to a similar aesthetic vision.Their rise and fall determines the destiny of avant-garde literature,reflecting the interaction between literature and its times overshadowed by the crisis of modernity.

关 键 词：先锋派 二律背反:审美共同体 

分 类 号：I562.074[文学—其他各国文学]