玛格丽特·阿特伍德创作中的民族/国家思想之演进  

Canada as a Nation and a State in Margaret Atwood

作　　者：袁霞[1] Yuan Xia

机构地区：[1]南京师范大学外国语学院

出　　处：《英美文学研究论丛》2021年第1期323-334,共12页English and American Literary Studies

基　　金：国家社科基金一般项目“玛格丽特·阿特伍德的伦理思想研究”(16BWW042)的阶段性研究成果。

摘　　要：玛格丽特·阿特伍德对加拿大作为一个民族和国家的发展历程有着非常深入的思考。本文旨在探讨阿特伍德在其部分作品中体现的民族和国家理念。她的早期作品大力宣扬加拿大独特的民族文化身份,认为“加拿大性”与加拿大的地理位置息息相关;其20世纪90年代的创作记录了多元文化语境下加拿大不断变化的社会现实和民族构成,也深切反映了她在思考加拿大民族身份时的与时俱进的话语风格;21世纪以来,阿特伍德的作品立足超民族主义,对后国家时代的人类共同命运进行了思考。Canadian writer Margaret Atwood has been a dedicated thinker on the issues related to the development of Canada as a nation and a state.This paper offers an examination of the evolution in her perceptions of nation and state as they rolled out in her works published through her career.She was a staunch advocate for Canada’s unique national cultural identity in her early works,and believed that“Canadianness”was closely related to Canada’s geographical location.In the 1990s when the multicultural social realities reshaped Canada's ethnic composition in the multicultural context,her writings communicated an accommodating attitude towards the popular changes of Canadian national identity discourse.Her more recent writings adopt a kind of transnationalism while she examines the fate of human beings in the postnational age.

关 键 词：玛格丽特·阿特伍德 加拿大 民族 国家 身份 

分 类 号：I711.074[文学—其他各国文学]