论《长门赋》《自悼赋》对唐代宫怨诗的影响  

On the Influence of Ode to Changmen and Self-mourning Ode on Palace Enmity Poems in Tang Dynasty

作　　者：杨许波[1] Yang Xubo(College of Liberal Art,Lanzhou University,Lanzhou Gansu 730020,China)

机构地区：[1]兰州大学文学院,甘肃兰州730020

出　　处：《天水师范学院学报》2021年第1期29-35,共7页Journal of Tianshui Normal University

基　　金：甘肃省社会科学规划项目“胡汉文化交流与唐诗关系研究”(YB005)阶段性成果。

摘　　要：《长门赋》与《自悼赋》在抒情模式、描写方式与创作意象上都对唐代宫怨诗产生较深影响。二赋一为代言一为自叙,一重虚构一重写实,基本上涵盖了唐代宫怨诗的所有类别,其中《长门赋》的代言模式影响更大,诗人们多通过自己对宫廷生活的了解和认识,将抒情女主人公放入一特定场景,来描写她的所见所闻所思所感。唐代宫怨诗多继承了《长门赋》正面摹写与反面衬托相结合的描写方式,并且许多空间意象、自然意象与人事意象都出自《长门赋》与《自悼赋》。Ode to Changmen and Self-mourning Ode have a deep influence on the palace enmity poems in Tang Dynasty in the lyric mode,description method and creation image.These two odes,one for endorsement,one for autobiography,one for fiction and one for realism,basically covers all categories of Tang Dynasty palace enmity poems.Among them,the endorsement mode of Ode to Changmen is more influential.Poets usually put the lyric heroine into a special scene to describe what the lyric heroine saw,heard,thought and felt through their understanding of court life.In Tang Dynasty,most of the palace enmity poems inherited the description method of combining the positive description with the negative description in Ode to Changmen,and many space images,natural images and personnel images came from Ode to Changmen and Self-mourning Ode.

关 键 词：《长门赋》 《自悼赋》 唐代 宫怨诗 

分 类 号：I222.4[文学—中国文学]