符号与声音:成吉思汗祭词祭文及其音乐研究(上)  

Symbols and sounds:Genghis Khan's sacrificial words,writings and music research(Part One)

作　　者：哈斯巴特尔 Hasbattell(Inner Mongolia Arts University,Inner Mongolia Hohhot 010010)

机构地区：[1]内蒙古艺术学院,内蒙古呼和浩特市010010

出　　处：《内蒙古艺术学院学报》2021年第2期81-89,共9页Journal of Inner Mongolia Arts University

基　　金：2018年度内蒙古自治区高等学校人文社科重点项目“符号与声音:成吉思汗祭词祭文及其音乐研究”(项目编号:NJSZ18245)最终研究成果;2019年内蒙古自治区第九批“草原英才”项目“鄂尔多斯民间音乐研究”阶段性成果。

摘　　要：成吉思汗祭词祭文是蒙古族祭祀文化的重要构成部分,也是研究蒙古族早期祭祀文化的主要文献依据。通过文献,我们探究成吉思汗祭祀大殿中经常使用的祭词文本的诗歌样式,即哪些是口诵文本,哪些具备音乐性质,通过每个文本的使用场合和对象,并阐释祭词祭文所蕴含的文学思想和结构意义。该研究项目基于作者长期深入的田野考察基础上,首次探讨了成吉思汗祭祀仪式音乐中的诗歌传统与口头叙事文本在音乐层面所体现的文化特征,进一步对祭词祭文的诗歌韵律、程式以及音乐性进行分析与阐释。Chengji Khan sacrificial words and writings are an important part of the Mongolian sacrificial culture,and also the main literature basis for the study of the early Mongolian sacrificial culture.Through the literature,we explore the poetic style of the worshipping words frequently used in Genghis Khan's worshipping hall,that is,which are oral texts and which have musical properties.Through the use occasion and object of each text,we also explain the literary thought and structural meaning contained in the worshipping words and worshipping words.Based on the author's long-term and in-depth field investigation,this research project discusses for the first time the cultural characteristics of Genghis Khan's poetry tradition and oral narrative text in the music level,and further analyzes and interprets the rhyme,program and musicality of the poetry of the sacrifice words and texts.

关 键 词：符号与声音 祭词祭文 韵律模式 音乐性 

分 类 号：J60[艺术—音乐]