从《筝赋》看汉魏六朝筝乐的发展与传播  

Looking at the Development and Dissemination of six Dynasties of Han Wei from the book‘Zheng fu’

作　　者：吕婷婷[1] Lv Tingting(Shenyang Conservatory of Music,Shenyang 110004)

机构地区：[1]沈阳音乐学院,沈阳110004

出　　处：《内蒙古艺术学院学报》2021年第2期90-96,共7页Journal of Inner Mongolia Arts University

基　　金：2019年度国家社科基金艺术学一般项目《“弦索声腔系统”音乐研究》(项目编号:19BD055)阶段性成果;2020年度中央支持地方高校改革发展资金人才培养项目《中国民族器乐在大学生美育中的实践路径研究》(项目编号:14011209003)系列研究论文。

摘　　要：筝在我国音乐文化史上具有举足轻重的地位,各个朝代对筝的发展可谓是“功不可没”,尤其是汉魏六朝时期,筝及筝乐文化不断发展逐渐趋于成熟,并涌现出大量对筝和筝乐文化的记载,尤其是《筝赋》,更能反映出此时期筝文化的高度繁荣。当时众多文学家创作了《筝赋》,如后汉侯瑾,三国阮瑀,西晋傅玄,东晋贾彬、陈窈等。从《筝赋》描述的状况看,汉魏六朝筝乐已经非常成熟,并且有很高的文化含量,它被视为一种高雅音乐被人们传诵、记载。因此,本文从现存的“筝赋”入手,探讨汉魏六朝筝乐的发展与传播,试图还原其历史样貌,进而通过《筝赋》这一载体探求筝乐的艺术价值。Zheng plays an important role in the history of music culture in China.The development of Zheng in different dynasties can not be ignored.Especially in the Han,Wei and Six Dynasties,Zheng and its music culture developed continuously and gradually matured,and a large number of records about Zheng and its music culture emerged,especially Zheng Fu,which can reflect the high prosperity of Zheng culture in this period.At that time,many writers created Zheng Fu,such as Hou Jin of the later Han Dynasty,Ruan Xuan of the Three Kingdoms,Fu Xuan of the Western Jin Dynasty,Jia bin and Chen Yao of the Eastern Jin Dynasty.From the description of Zheng Fu,zheng music in Han,Wei and Six Dynasties has been very mature,and has a high cultural content.It is regarded as a kind of elegant music and has been recited and recorded by people.Therefore,starting from the existing‘Zheng Fu’,this paper discusses the development and spread of Zheng music in Han,Wei and Six Dynasties,trying to restore its historical appearance,and then explores the artistic value of Zheng music through the carrier of‘Zheng Fu’.

关 键 词：《筝赋》 汉魏六朝 筝乐 发展 传播 

分 类 号：J63[艺术—音乐]