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作 者:毛巧晖[1] Mao Qiaohui(Institute of Ethnic Literature,Chinese Academy of Social Sciences,Beijing 100732)
机构地区:[1]中国社会科学院民族文学研究所,北京100732
出 处:《长江大学学报(社会科学版)》2021年第3期10-18,共9页Journal of Yangtze University(Social Sciences Edition)
基 金:国家社会科学基金项目“新中国70年少数民族民间文学学术史”(20BZW190)。
摘 要:19世纪、20世纪之交,中国知识人将眼光投向民间,神话引起了启蒙主义者的关注,它被视为“中国之生命”。随着民俗学的兴起,神话的学术研究进一步发展,同时,它在30年代的通俗化实践中,也成为“创造具有民族形式的新文化”之依托。1949年以后,神话成为本土现代社会、多民族国家和社会主义文化的建构力量,同时也为20世纪八九十年代神话学的发展奠定了坚实基础。其学术发展可大致划分为两个时期:80年代初到80年代中期,神话研究的复兴与重建在推动民间文学整体研究中具有无可替代的重要作用;80年代中期到90年代中期,民间文艺学领域引入西方神话学理论,神话研究领域呈现出多维视野与多元范式交杂的景象。At the turn of the 19th and 20th centuries,Chinese intellectuals set their sights on the people,and mythology attracted the attention of the enlighteners,which was regarded as the“the life of China”.With the rise of folklore,the academic research of mythology developedfurther.At the same time,in the popularization practice of the 1930s,it also became the basis for“creating a new culture with national forms”.After 1949,mythology became the constructive force of the local modern society,multi-ethnic country and socialist culture.It also laid a solid foundation for the development of mythology in the 1980s and 1990s.Its academic development can be roughly divided into two periods:from the early 1980s to the mid-1980s,the revival and reconstruction of mythological studies played an irreplaceable role in promoting the overall research of folk literature;From the mid-1980s to the mid-1990s,western myth theories were introduced into the field of folk literature and art,and the field of mythological research presented a mixedscene of multi-dimensional vision and multi-paradigm.
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