检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:黄小轩 陈方[2] HUANG Xiao-xuan;CHEN Fang(School of Liberal Arts,Renmin University of China,Beijing 100872;School of Foreign Languages,Renmin University of China,Beijing 100872)
机构地区:[1]中国人民大学文学院,北京100872 [2]中国人民大学外国语学院,北京100872
出 处:《艺术百家》2021年第3期180-187,共8页Hundred Schools In Arts
摘 要:在当代俄罗斯电影蓬勃多元的发展态势中,“女性电影新浪潮”的异军突起尤为引人关注。作为知性浪漫的代表和纪实美学的引领者,女性导演以其敏锐深刻的艺术洞察力影响着当代电影的发展进程。尤其是近几年来,女性电影人创作的团体性、开放性和互助性成为俄罗斯影坛的一种现象。在女性群体意识的语境下,俄罗斯女性电影重启了对典型社会问题的当代反思,呈现出对“人”的深刻关怀。Along with the booming and diverse development of contemporary Russian films,"the New Wave of Women's films"arrives and has attracted extensive attention.As representative of intelligence,romance and documentary aesthetics,female directors bring their keen and profound artistic insights into contemporary film development.They have created a group dynamic that has at its very core unity,openness and mutual assistance.Within the context of such female group consciousness,Russian women's films attend to the social issues from a contemporary perspective,delivering a deep solicitude for"Human".
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.205