郁达夫小说的颓废书写与现代情感伦理变革  

The Decadent Writing of Yu Dafu's Novels and the Change of Modern Sentimental Ethics

作　　者：孙胜存[1] 邓招华[1] SUN Shengcun;DENG Zhaohua(Hebei University,Baoding Hebei 071002,China)

机构地区：[1]河北大学,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2021年第4期75-83,共9页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社科基金后期资助项目“解放区文学研究”(20FZWB032)。

摘　　要：郁达夫小说创作中充斥着“零余者”形象,这不无颓废主义气息的文学形象,向我们呈示的是在中国现代伦理变革过程中,现代个体从传统道德构架和文化范式中脱胎而出,寻找、建构自我的艰难心理历程的一个侧面。同时,郁达夫笔下的性描述与性欲话语表达作为中国现代伦理变革这场影响深远的价值范式转型的一个组成部分,参与了对自我、族群以及现代伦理道德的重构。这是以一种弗洛伊德式的“影响的焦虑”记录了现代个体对于传统伦理道德的一种美学反抗。某种意义上,郁达夫小说的颓废书写是中国现代情感伦理变革历程中的一个显著文学事件,为现代感性自我这种全新的主体模式提供了一种存在的合法性。The image of "surplus people",which belongs to decadent literary image, is pervasive in Yu Dafu’s novels.What it shows to us is that in the process of modern Chinese ethics reform, modern individuals have walked out from the traditional moral structure and cultural paradigm, and gone through the difficult psychological process of finding and constructing themselves.At the same time, Yu Dafu’s sexual description and sexual desire discourse, as a part of the far-reaching value paradigm transformation of modern Chinese ethics, participate in the reconstruction of self, ethnic group and modern ethics.This is a Freudian "anxiety of influence" that records the aesthetic resistance of modern individuals to traditional ethics.In a sense, the decadent writing of Yu Dafu’s novels is a significant literary event in the transformation of modern Chinese sentimental ethics, providing a kind of legitimacy for the existence of modern perceptual self, a new subject model.

关 键 词：郁达夫 颓废书写 情感伦理 

分 类 号：I206.6[文学—中国文学]