女性主体性建构与生命启示--红柯小说《靴子》的另种解读  

Female Subjectivity Construction and Life Enlightenment--Another Interpretation of Hongke’s Short Story Boots

作　　者：张海玉 于京一 ZHANG Haiyu;YU Jingyi(School of Cultural and Communication,Shandong University,Weihai 264209,China)

机构地区：[1]山东大学文化传播学院,山东威海264209

出　　处：《湖南人文科技学院学报》2021年第4期67-73,共7页Journal of Hunan University of Humanities,Science and Technology

摘　　要：《靴子》故事中年轻少女与“靴子”意象在红柯醉态化的感官叙事与物我交融的性爱书写下相互关联与缠结,暗含着红柯对于西部文学性别意识与女性主体建构的形而上的精神思索。女性角色的文学出场与主体建构浸染着西部边疆独特的地域文化与自然要素,也为西部文学摆脱自我“他者化”身份提供了启示与思考。因而将《靴子》看作一则关照草原女性存在的生命寓言似乎更符合红柯西部书写的情怀与初衷,透过对其考察梳理,了解红柯前期新疆系列短篇小说中浸润的感性与单纯,利于读者走近红柯的西部,以及一个自然化的西部对于红柯的精神意义与文学价值。Boots is one of Hongke’s representative works of short stories about Xinjiang in the 1990s,and is often regarded by critics as a fairy tale or myth about love imagination.The young girl and the image of“boots”in the story are interrelated and entangled with Hongke’s drunken sensory narrative and the sex writing,which implies Hongke’s metaphysical spiritual thinking on the gender consciousness and female subjectivity construction in western literature.The literary appearance and subjectivity construction of female roles are immersed in the unique regional culture and natural elements of the western frontier,and it also provides enlightenment and thinking for western literature to get rid of its self“other”identity.Therefore,to regard Boots as a life fable for the existence of women seems to be more in line with Hongke’s original intentions.Through investigation of it,we can understand the sensibility and simplicity of Hongke’s early short stories about Xinjiang.It is helpful for readers to approach Hongke’s West,and the spiritual significance and literary value of a naturalized West for Hongke.

关 键 词：红柯 靴子 主体意识 感官叙事 性爱书写 

分 类 号：I247.5[文学—中国文学]